What the Hell

Nothing should ever be taken so seriously that you can’t laugh when the politically correct police aren’t around. And if they are? Well, maybe they need a laugh as well. I think there might be an article in here that delves into that. But maybe not.

To find out, click here and download your free copy of What the Hell: Words by Biff Mitchell.

Zen and the Art of Chicken Wire

There is no Zen in chicken wire. The title is a lie. There is only pain and remorse in chicken wire. Chicken wire wants to take out your eyes. Chicken wire wants to scar your face and rip off an ear. Chicken wire will put tiny holes in your arms and legs, your wrists and ankles…and then it will shed micro bits of metal into your coffee…

Click here if you dare go further into the madness of chicken wire and art.

Just Re-released: Boston Jonson in Murder by Art

My new publisher is starting to reprint my Boston Jonson mysteries. This is the first one…set in Studio4Ward in downtown Freddie Beach right above Backstreet Records.

It’s 2060. In Backstreet Records, a brooding audiophile thinks murder. Upstairs at Studio4Ward where skulls, dreams and beer cans are the stuff of art, 300 pounds of human sculpture dangles dead from the wall.

Click here to see Boston Jonson solve another impossible murder.

Those Were the Days

Remember those days before COVID? What the world was like? What our lives were like? Remember all that? I don’t. I think I smiled once back then. I’m not sure, but I think I might have had a kitchen.

But those are just delirious musing about a world long gone.

Today we have….masks.

They seem to have replaced empty beer cans.

Here’s my take on that.

Click here to download my take on that.


I’ve been writing a serialized piece called The Existential Adventures of Crazy Man and the Dog, Sidestepper. The series explores the mess we’ve made of the world by having two unlikely characters talk to the world…trees, the sky, oceans, dead birds, mean birds, garbage cans, non-vegan deer and lost ragdolls…you know, the stuff of life and the world.

Each episode is inspired by a photograph because every photo is a picture of life, of the world, and depending on your point-of-view, every picture tells a thousand stories.

I’m taking a much-needed summer break from the series while I re-stock my photo library and read through the first one hundred episodes to see how many spelling and grammar mistakes I can make in one hundred episodes. So far, it’s a lot.

During this time, I came across an image that didn’t seem to fit in the series, but it had a story to tell. I warn you, though…it’s not a pleasant story. You can read it by clicking here.

Yes, a short story can take years to write…

It took me 10 years to write this story. The inspiration came when I dropped everything in New Brunswick, packed my worldly possessions into a blue trunk and headed across the country in a car that wanted to stay home. The engine all but fell out of it on Portage Avenue (the main downtown street) in Winnipeg during rush hour traffic. The rest of the trip was by bus.

It was on the bus, traveling through the bleak flat expanse of Saskatchewan that I saw a road going off the main highway. I saw a pole at the mouth of the road with a metal box on top. The lettering on the box was time and weather worn with some of the letters obscured, but I saw enough to give me the impression of the word DONATIONS.

For the life of me, I couldn’t figure out why there would be a donations box out there in the middle of nowhere on a road that appeared to run endlessly into the horizon, but I couldn’t stop thinking about it, especially on the trip back to New Brunswick on a bus filled with the noisiest, worst behaved kids I’ve ever encountered. They’ll be adults my now and I hope their lives are filled with half the trauma they inflicted on the passengers of that bus over four painful days traveling four thousand miles.

A few weeks after landing back in New Brunswick, the donations thing was still fresh in my mind and I had to come up with a reason for there being a donation box (even though it might have been something else) at that remote location. So I wrote about it. I made the box the springboard into a short story.

It came slow…slower than anything I’d written before so after a few weeks I put it away (The sheets of paper, of course. Back then, writers used typewriters.) and came back to it a few months later. This went on for years, during which time, I wrote dozens of other stories and a novel.

But I kept coming back to the story and I even had a name: The Nickel. Of course, it took a couple of years to come up with the name.

I spent a few years working as a bartender. One night, I brought the story in to work and during a slow period, I wrote on blank paper with a pencil. I wrote four pages, which I passed to three customers sitting at my bar who read the pages and commented. Just as I was coming into what I hoped would be the last page, the bar started filling up…fast.

I put the pages away and didn’t come back to them until years later when I was on a business trip to Toronto. By this time, I was an marketing and public relations manager for an IT startup. I rose early one morning and took my story pages with me to breakfast.

I started writing after a few sips of coffee and I couldn’t stop until I was finished.

I think I sat there for about five minutes, almost in shock. The story was finished. My eggs and bacon were cold but the story was finished.

It was first published by an ebook company in Australia as part of a ‘story of the week’ winner in a competition. It went over well, and was kept up for months after the week it was supposed to be available. About a year later, on the off chance that it would be accepted by a literary magazine, I submitted it to Project Letters, an international literary magazine, and it was accepted along with another story (the took just a week to write).

Click here to read the story at Projected Letters.